{"id":1798,"date":"2022-11-03T11:18:08","date_gmt":"2022-11-03T10:18:08","guid":{"rendered":"https:\/\/www.dirigent.at\/?page_id=1798"},"modified":"2023-12-18T10:43:32","modified_gmt":"2023-12-18T09:43:32","slug":"international-opera-activity","status":"publish","type":"page","link":"https:\/\/www.dirigent.at\/?page_id=1798","title":{"rendered":"International Opera-activity"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
M\u00fcnchen Staatsoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
Berlin Staatsoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Falstaff<\/td><\/td>\n<\/tr>\n
<\/td>Meistersinger<\/td><\/td>\n<\/tr>\n
<\/td>Tiefland<\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
Berlin Deutsche Oper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
Berlin Komische Oper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Cavalleria\/Pagliacci<\/td><\/td>\n<\/tr>\n
Dresden<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Elektra<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
<\/td>Fidelio<\/td><\/td>\n<\/tr>\n
<\/td>Capriccio<\/td><\/td>\n<\/tr>\n
<\/td>Otello<\/td><\/td>\n<\/tr>\n
<\/td>Tannh\u00e4user (Dresdner Fassung)<\/td><\/td>\n<\/tr>\n
Leipzig<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Nabucco<\/td><\/td>\n<\/tr>\n
<\/td>Elektra<\/td><\/td>\n<\/tr>\n
<\/td>Andrea Ch\u00e9nier<\/td><\/td>\n<\/tr>\n
Hamburg Staatsoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Siegfried<\/td><\/td>\n<\/tr>\n
Karlsruhe<\/strong>
\n<\/td>		<\/td>\n<\/tr>\n
<\/td>Nabucco<\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Entf\u00fchrung<\/td><\/td>\n<\/tr>\n
<\/td>Carmen<\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Frau ohne Schatten<\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
<\/td>Schweigsame Frau<\/td><\/td>\n<\/tr>\n
<\/td>Arabella<\/td><\/td>\n<\/tr>\n
<\/td>Capriccio<\/td><\/td>\n<\/tr>\n
<\/td>Die Meistersinger<\/td><\/td>\n<\/tr>\n
<\/td>Tannh\u00e4user (Pariser Fassung)<\/td><\/td>\n<\/tr>\n
<\/td>Tristan und Isolde<\/td><\/td>\n<\/tr>\n
<\/td>Rheingold<\/td><\/td>\n<\/tr>\n
<\/td>Walk\u00fcre<\/td><\/td>\n<\/tr>\n
<\/td>Siegfried<\/td><\/td>\n<\/tr>\n
<\/td>G\u00f6tterd\u00e4mmerung<\/td><\/td>\n<\/tr>\n
Mannheim<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tristan und Isolde<\/td><\/td>\n<\/tr>\n
Stuttgart<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
Hannover<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>La traviata<\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
<\/td>Madama Butterfly<\/td><\/td>\n<\/tr>\n
<\/td>Barbiere<\/td><\/td>\n<\/tr>\n
<\/td>Entf\u00fchrung<\/td><\/td>\n<\/tr>\n
<\/td>Tiefland<\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
<\/td>Cavalleria\/Pagliacci<\/td><\/td>\n<\/tr>\n
<\/td>Un ballo in maschera<\/td><\/td>\n<\/tr>\n
<\/td>Don Pasquale<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
<\/td>Holl\u00e4nder<\/td><\/td>\n<\/tr>\n
<\/td>Freisch\u00fctz<\/td><\/td>\n<\/tr>\n
<\/td>Rigoletto<\/td><\/td>\n<\/tr>\n
<\/td>La traviata<\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
<\/td>H\u00e4nsel und Gretel<\/td><\/td>\n<\/tr>\n
<\/td>Fidelio<\/td><\/td>\n<\/tr>\n
<\/td>Zauberfl\u00f6te<\/td><\/td>\n<\/tr>\n
<\/td>La Calisto<\/td><\/td>\n<\/tr>\n
Dortmund<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tiefland<\/td><\/td>\n<\/tr>\n
<\/td>Elektra<\/td><\/td>\n<\/tr>\n
<\/td>Falstaff<\/td><\/td>\n<\/tr>\n
<\/td>Fidelio<\/td><\/td>\n<\/tr>\n
<\/td>Meistersinger<\/td><\/td>\n<\/tr>\n
<\/td>Carmen<\/td><\/td>\n<\/tr>\n
<\/td>Zauberfl\u00f6te<\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Barbiere<\/td><\/td>\n<\/tr>\n
<\/td>La boheme<\/td><\/td>\n<\/tr>\n
<\/td>Cavalleria\/Pagliacci<\/td><\/td>\n<\/tr>\n
Bremen<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Moses und Aron<\/td><\/td>\n<\/tr>\n
<\/td>Fidelio<\/td><\/td>\n<\/tr>\n
<\/td>Otello<\/td><\/td>\n<\/tr>\n
<\/td>Cavalleria\/pagliacci<\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
<\/td>Carmen<\/td><\/td>\n<\/tr>\n
<\/td>Meistersinger<\/td><\/td>\n<\/tr>\n
<\/td>La Damnation de Faust<\/td><\/td>\n<\/tr>\n
<\/td>Madama Butterfly<\/td><\/td>\n<\/tr>\n
<\/td>Idomeneo<\/td><\/td>\n<\/tr>\n
<\/td>Pique Dame<\/td><\/td>\n<\/tr>\n
<\/td>Liebster Vater<\/td><\/td>\n<\/tr>\n
<\/td>Battistelli – Die Erfindung<\/td><\/td>\n<\/tr>\n
<\/td>Marcello – The banquet<\/td><\/td>\n<\/tr>\n
Halle<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Corregidor<\/td><\/td>\n<\/tr>\n
Monte Carlo<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tristan und Isolde<\/td><\/td>\n<\/tr>\n
Paris Palais Garnier<\/strong><\/td><\/td><\/td>\n<\/tr>\n
<\/td>Capriccio<\/td><\/td>\n<\/tr>\n
Paris Ch\u00e2telet<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Arabella<\/td><\/td>\n<\/tr>\n
Toulouse<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Capriccio<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
<\/td>Carmen<\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
<\/td>Lulu<\/td><\/td>\n<\/tr>\n
<\/td>Prinz von Homburg<\/td><\/td>\n<\/tr>\n
<\/td>Arabella<\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>La Chauve Souris<\/td><\/td>\n<\/tr>\n
<\/td>La Veuve joyeuse<\/td><\/td>\n<\/tr>\n
Bordeaux<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Holl\u00e4nder<\/td><\/td>\n<\/tr>\n
Marseille<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>La boh\u00e8me<\/td><\/td>\n<\/tr>\n
Strasbourg<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Parsifal<\/td><\/td>\n<\/tr>\n
<\/td>Lulu<\/td><\/td>\n<\/tr>\n
<\/td>Rheingold<\/td><\/td>\n<\/tr>\n
Madrid Teatro Real<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Glass \u2013 Corvo Branco<\/td><\/td>\n<\/tr>\n
Madrid Zarzuela (-Dresden)<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
Bilbao<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Siegfried<\/td><\/td>\n<\/tr>\n
<\/td>G\u00f6tterd\u00e4mmerung<\/td><\/td>\n<\/tr>\n
<\/td>Tannh\u00e4user (Pariser Fassung)<\/td><\/td>\n<\/tr>\n
Santander Festival<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
La Coruna Festival<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Entf\u00fchrung<\/td><\/td>\n<\/tr>\n
Gran Canaria<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tristan und Isolde<\/td><\/td>\n<\/tr>\n
Antwerpen<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Pikovaya Dama<\/td><\/td>\n<\/tr>\n
Oslo<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
G\u00f6teborg<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Peter Grimes<\/td><\/td>\n<\/tr>\n
Budapest State Opera<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Arabella<\/td><\/td>\n<\/tr>\n
<\/td>Madama Butterfly<\/td><\/td>\n<\/tr>\n
Bucharest Festival Enescu<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Parsifal<\/td><\/td>\n<\/tr>\n
Milano Scala<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Die Zauberfl\u00f6te<\/td><\/td>\n<\/tr>\n
Roma<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
<\/td>Rusalka<\/td><\/td>\n<\/tr>\n
Venezia<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Die Zauberfl\u00f6te<\/td><\/td>\n<\/tr>\n
Genova<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Macbeth (Versione 1847)<\/td><\/td>\n<\/tr>\n
Palermo<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lohengrin<\/td><\/td>\n<\/tr>\n
<\/td>H\u00e4nsel und Gretel<\/td><\/td>\n<\/tr>\n
Napoli<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
Trieste<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Castello di Barbablu<\/td><\/td>\n<\/tr>\n
<\/td>Lohengrin<\/td><\/td>\n<\/tr>\n
Catania<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Idomeneo<\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
Bologna<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
Parma<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Ernani<\/td><\/td>\n<\/tr>\n
<\/td>Don Carlo<\/td><\/td>\n<\/tr>\n
<\/td>La boheme<\/td><\/td>\n<\/tr>\n
<\/td>Nabucco<\/td><\/td>\n<\/tr>\n
<\/td>Otello<\/td><\/td>\n<\/tr>\n
<\/td>Falstaff<\/td><\/td>\n<\/tr>\n
<\/td>Tosca<\/td><\/td>\n<\/tr>\n
<\/td>Walk\u00fcre<\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
<\/td>Wozzeck<\/td><\/td>\n<\/tr>\n
<\/td>Il trovatore<\/td><\/td>\n<\/tr>\n
<\/td>Rigoletto<\/td><\/td>\n<\/tr>\n
<\/td>Macbeth (Versione 1865)<\/td><\/td>\n<\/tr>\n
Z\u00fcrich<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Salome<\/td><\/td>\n<\/tr>\n
<\/td>La Damnation de Faust<\/td><\/td>\n<\/tr>\n
<\/td>Lustige Witwe<\/td><\/td>\n<\/tr>\n
Geneve<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Arabella<\/td><\/td>\n<\/tr>\n
Lausanne<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Barbiere<\/td><\/td>\n<\/tr>\n
Lisboa<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
<\/td>Siegfried<\/td><\/td>\n<\/tr>\n
Wien Staatsoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Fledermaus<\/td><\/td>\n<\/tr>\n
<\/td>Carmen<\/td><\/td>\n<\/tr>\n
Wien Volksoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Entf\u00fchrung<\/td><\/td>\n<\/tr>\n
<\/td>La traviata<\/td><\/td>\n<\/tr>\n
<\/td>Fledermaus<\/td><\/td>\n<\/tr>\n
<\/td>Zigeunerbaron<\/td><\/td>\n<\/tr>\n
Graz<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Rosenkavalier<\/td><\/td>\n<\/tr>\n
<\/td>Macbeth (Versione 1865)<\/td><\/td>\n<\/tr>\n
Buenos Aires \u2013 Colon<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Der K\u00f6nig Kandaules<\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
Philadelphia<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Don Giovanni<\/td><\/td>\n<\/tr>\n
<\/td>Fidelio<\/td><\/td>\n<\/tr>\n
Washington \u2013 Wiener Volksoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Fledermaus<\/td><\/td>\n<\/tr>\n
Moscow Bolshoi -Dresden<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Ariadne auf Naxos<\/td><\/td>\n<\/tr>\n
Moscow Stanislawski Theater \u2013 Wiener Volksoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Fledermaus<\/td><\/td>\n<\/tr>\n
Tokyo NNT<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Wozzeck<\/td><\/td>\n<\/tr>\n
Tokyo\u00a0\u2013 Wiener Volksoper<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Fledermaus<\/td><\/td>\n<\/tr>\n
<\/td><\/td>\n<\/tr>\n

World premieres<\/h3><\/td>

<\/td>\n<\/tr>\n
<\/td><\/td>\n<\/tr>\n
Bremen<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Giorgio Battistelli<\/td><\/td>\n<\/tr>\n
<\/td>Die Erfindung der Langsamkeit 1997<\/td><\/td>\n<\/tr>\n
<\/td>Marcello Panni<\/td><\/td>\n<\/tr>\n
<\/td>The Banquet 1998<\/td><\/td>\n<\/tr>\n
<\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1340,"menu_order":96,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1798","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/pages\/1798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dirigent.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1798"}],"version-history":[{"count":29,"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/pages\/1798\/revisions"}],"predecessor-version":[{"id":2172,"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/pages\/1798\/revisions\/2172"}],"up":[{"embeddable":true,"href":"https:\/\/www.dirigent.at\/index.php?rest_route=\/wp\/v2\/pages\/1340"}],"wp:attachment":[{"href":"https:\/\/www.dirigent.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}